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Download Danish Directors: Dialogues on a Contemporary National by Hjort Mette, Ib Bondebjerg PDF

By Hjort Mette, Ib Bondebjerg

Based on the resurgence of Danish movie, this publication provides a suite of in-depth interviews with 19 of Denmark's best film-makers. that includes interviews with Lars Von Trier, Soren Kragh-Jacobsen, Thomas Vinterberg and Gabriel Axel between many others.

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Extra resources for Danish Directors: Dialogues on a Contemporary National Cinema

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It’s really very special and it isn’t, in fact, that typical of Nørgaard’s work. I sometimes think he might be ahead of his time. He’s certainly a great musician, and a wonderful human being. The music he composed for The Red Mantle is as minimalistic and simple as it could possibly be. It plays a purely supporting role, and neither rapes the viewer nor stifles the dialogue in any way. 37 The Danish Directors Bondebjerg: On the whole The Red Mantle was very poorly received in Denmark. But it was included in the competition for the Palmes d’or at Cannes and was awarded the Prix technique for its atmosphere and stylistic unity.

Critics identified the new wave, among other things, as a source of inspiration. Axel: Paradise and Back is a love story between a mismatched couple, a bourgeois woman and a working class man. The emphasis throughout was on the symbolic. The action takes place before and during the occupation (up until the liberation), and is expressed symbolically. The gulls, for example, were the German planes, while an overturned sentry box stood for the end of the war. But I never once thought of the new wave while making it.

He’s certainly a great musician, and a wonderful human being. The music he composed for The Red Mantle is as minimalistic and simple as it could possibly be. It plays a purely supporting role, and neither rapes the viewer nor stifles the dialogue in any way. 37 The Danish Directors Bondebjerg: On the whole The Red Mantle was very poorly received in Denmark. But it was included in the competition for the Palmes d’or at Cannes and was awarded the Prix technique for its atmosphere and stylistic unity.

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